THE SIGHTING

Work-in-progress

“One might speak here of what the Greeks called “mania,” in terms of an intimate immanence rather than a merely external transcendence, though this immanence is not devoid of communication of an other, intimate transcendence,” IU 81.

Sitting in your car,

from the driver’s seat, you said,

“Look, Tom, a deer!” We

were parked by the cove,

talking in the warmth, the dark:

a shimmer ahead—

gone! Did the deer see

the delight in your eyes, to

see and be seen by

it? Interrupted

from being part of its strange

world beyond our world?

The dark between us

returns and yes I see it

still in your wide eyes.

THE SIGHTING

3 thoughts on “THE SIGHTING

  1. THe poem opens with a chain of images moving from a command to the poet ‘Look!’ to the image of (blank but warm) darkness (in which it is hard to look), to a shimmer which is gone almost as soon as it appears. It then turns to the circulation of reciprocated desire, the delight of the look taht rejoices in being part of the exchange of recognition, of seeing and being seen. Yet this circuit is not perfect and endless (and fulfilled). It leads to more desire as the human particiapnt is left somehow half-empty by having been brought into that circuit with the strangeness of nature. As Desmond says, desire creates lack.

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