I look out and ask
why this deep feeling as sleet
turns to snow and back.
My page remains blank.
Sometimes snow, sometimes sleet, sad
but true, sad but true.
I look out and ask
why this deep feeling as sleet
turns to snow and back.
My page remains blank.
Sometimes snow, sometimes sleet, sad
but true, sad but true.
Wherever the relative exists, the absolute is there as its correlative. Tanabe Haijime
The Sabbath. The pub
bursts with wild conversation.
It’s so cold outside.
Still, the Absolute
insists it’s Nothing, others
everything. Grounded
in contradiction
the day passes, I give up,
put my book away.
The Great Compassion
of the Absolute: Empty
and also happy.
It’s no tragedy.
I harden my face, go out,
sleet becoming snow.
A dusting of snow
on paths, gardens, and mountains.
Breathe out, in, out, in.
An egret rising
from the flat bay wakes me up
I did not know I
was asleep under
the pine. A white smudge
appears in the air
to disappear. I
am an old man astonished
that I am at all.
Such an eros to be beyond eros by denial of eros must fail. Desmond
New Year’s Eve. I stop
by the pond out of habit
only to be stopped
by transparency.
Cold daylight calmly addressed
my absolute self
and broke it open.
Winter cannot contain de-
sire. The restlessness
of naked sunlight
is divine. Surprise, surprise:
Loneliness wheels o-
verhead, a gull lost
in the deep horizon of
our bright finitude.
SONG
Each year I forget
how the cold saps energy
from the body used
to soft winds, shoulders
and arms kissed by the hot sun.
The flesh remembers.
Sleep, long and deep and
as one grows old deathly
sweet calls me to life.
21 November 22
VIII
I’ll wait. She’ll come back.
Beauty happens, disappears.
I revise, revise.
First snow flakes drift at sundown,
thickening towards nightfall.